FIXTURES : Solo exhibition by Maiken Bent (DK)
Bent's works thereby opens up a multitude of connotations and contrasts which put together presents an investigation of the agency of objects and people's (excessive) worship of the beautified.
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Maiken BentFixtures #1, 2022Stativ, skind, læder, vokset tråd, spænder, brændt glaseret keramik, kæder, ringe, karabinhager, vægkrog.100 x 70 x 45 cm
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Maiken BentFixtures #2, 2022Stativ, med spejl gummihjul, skibsfender, skind, læder, vokset tråd, kæder, ringe, karabinhager, vægkrog.46 x 50 x 40 cm
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Maiken BentFixtures #3, 2022Stativ, skind, læder, vokset tråd, spænder, kæder, ringe, karabinhager, vægkrog.120 x 64 x 97 cm
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Maiken BentFixtures #4, 2022Stativ, bøje, læder, skind, vokset tråd, spænder, kæder, ringe, karabinhager, vægkrog.179 x 76 x 76 cm
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Maiken BentFixtures #5, 2022Stativ, læder, skind, vokset tråd, spænder, kæder, ringe, karabinhager, vægkrog.184 x 65 x 65 cm
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Maiken BentFixtures #6, 2022Stativ, bøje, fjeder, fastnøgle, læder, skind, vokset tråd, spænder, kæder, ringe, karabinhager, vægkrog.
182 x 76 x 76 cm -
Maiken BentFixtures #7, 2022Stativ, læder, skind, vokset tråd, spænde, kæder, hængelåse, ringe, karabinhager, vægkrog.145 x 115 x 49 cm
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Maiken BentFixtures #8, 2022Stativ, læder, skind, vokset tråd, glaseret keramik, spænde, kæder, hængelåse, ringe, karabinhager, vægkrog.97 x 28 x 30 cm
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Maiken BentFixtures #9, 2022Skibsfender, skind, læder, vokset tråd, kæder, ringe, karabinhager, vægkroge90 x 63 x 17 cm
For her solo exhibition "Fixtures" in Gas9Gallery, Maiken Bent (b.1980) has created new sculptures that are both poetic, complex, and provocatively raw. Works that invite our gaze and imagination to travel back and forth from hard to soft and from figure to abstraction.
In Maiken Bent's established artistic practice, readymades, crafts, and objects found at the hardware store meet and come together in an investigation of aesthetics and materials. Steel racks and stitching in colorful leather are anchored and controlled by straps, tools, chains, and padlocks, creating monumental sculptural bodies. The works are all named after the exhibition's title "Fixtures" (#1-#9), and are connected and fixed to the walls via heavy chains, as if Bent was afraid the sculptures would be stolen - or perhaps run away.
The work Fixtures #5 (2022), an almost two meters high steel rack is standing with wondering gesturing arms in multiple directions, and leather feets sewen by waxed threads, have turned its gaze towards the ceiling, sending messages out and up towards higher air layer. In contrast, the work Fixtures #3 (2022) stands with its wide and robust body attached to the floor, ready to grab and carry – but what does it expect to receive and by whom? The same question of whether the sculptures exist solely for us or for themselves comes to mind when looking at the work Fixtures #1 (2022), where a steel rack covered in silver and yellowish leather carries three blue ceramic balls. Is it a mother who cares for her offspring? A vending machine for enlarged gummi balls? Or captured unknown alien life?
Our wondering thoughts about the life and agency of objects that the exhibition brings about provide the opportunity for deep reflections on mankind's place in the world. Bent thereby points to the contemporary interest in challenging hierarchies and dominance regarding our relationship with nature, animals, and objects. In "Fixtures" new relationships arise, as each handsoven-stitch not only binds the fashion industry's leather remnants to the sculptures but also chains our bodies together with the artworks - yet another insistence on human's close connection to the outside world.
Maiken Bent views aesthetic value and animism in highly unusual materials; carabines, fixtures, leather, and sailing equipment. She turns ideals on their head and places the objectively beautiful in a straitjacket and in turn celebrates the missed potential.
